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February 2008

February 15, 2008

Gone on Safari

World_map_antique

We'll be dark for a couple weeks as we're headed to deepest, darkest Africa. We'll be spending most of the time in Bunda visiting my parents and brother who all live there, and have lived there for years without a single visit from me. *blush* It's about time. We're flying into Kilamanjaro and staying with a good friend of my Dad's, an exiled black panther named Pete O'Neal, about whom a documentary film was made (A Panther in Africa).

Then we'll be in a safari jeep (truck?) up to the Nogorongo Crater where Brenda and I will celebrate our first aniversary at a lodge there. Then we continue on up through the Serengeti the rest of the way to my parent's place in Bunda. I'm really excited to see them again, and to see first-hand what sort of life they have now. I really have no idea what to expect. Their internet connection is really slow and infrequent so it's hard to send digital pictures to me so I haven't seen much. They have occasionally sent awesome african stuff back though. One day at work I found a package from them that turned out to contain a real live Masai warrior spear. This one:
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This is definitely the first trip I've ever taken in which I really have no idea what to expect. Brenda's done crazy adventure trips before but not for a while so she's excited too. Should be fun no matter what.


Miya Ando Stanoff

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Miya
Miya Ando Stanoff is my favorite living minimalist artist. I have two of her pieces and I never get tired of them. The only type of "canvas" she ever uses are thin, steel panels which she works on using things like acid, sharp tools and blowtorches. It shouldn't be relevant I know, but I also love that she's literally the descendant of a sword maker. A recurring theme with me and my tastes is the concept of precision and that's a concept I get out of her works. She describes them as "quiet meditative environments" but I find them pleasingly bleak and dark myself.

She's got a showing coming up at the Newhouse Center for Contemporary Arts in Staten Island.

If you can check it out, I highly recommend it.


February 13, 2008

Cinematic Titanic has been christened!

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We went to the launch party of the new project from the original MST3k team last night. The Cinematic Titanic was christened not with a bottle of champagne but with cheap rail drinks at the ACME comedy club here in Minneapolis. We misunderstood the description evidently because while we knew the whole cast was going to be there, we were expecting to see a screening of their first film The Oozing Skull which is currently only available on DVD. Instead we saw just a few clips, and the rest of the evening was each cast member in turn doing standup routines, followed by a Q&A with everybody.

Cinematic2The place was packed with aging geeks (I include myself) to the point of discomfort but we were happy that the turnout was so good. Everybody that loved Mystery Science theater wants these guys to be back in our lives and to succeed again. I haven't seen the first film yet, but the reviews are really promising and the promo is encouraging as well.

The standup routines weren't very good, I must say, but then again with very few exceptions (Sarah Silverman, etc) standup comedy's not really my thing. But even though the acts were mediocre, none of us cared much at all really. People were laughing hard and couples looking at each other I think less because they thought it was funny and more because they were high on the fact that Joel, Tom Servo and the gang were not only back, but right in front of us. Joel's act was a fairly weak carrot-top style prop-act but i really enjoyed it just because he's so god damn endearing. J Elvis (original Tom Servo) Weinstein's bit was the best I think, followed by Mary Jo (Pearl) Pehl's.

They finished up with a live, acoustic performance of the MST3k theme song that Joel says he and Weinstein wrote at a local Denny's, and which Weinstein says they wrote at Alice's.

Best of all was that they said a live performance of the first film is now secured for the State theater later in the spring. I think I may hold off on getting the movie and just go see that. I really hope it's good. I love those guys. How can you not.

P.S. The ACME comedy club is a terrible venue. Don't go there unless it's the only place you can see the original cast from MST3k launch a new project. Seriously it's bad.


February 11, 2008

Classic Cameras vs. Modern Photo Geeks

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One of the reasons we posted our gear list was to find out from people who've actually been on Safaris if we're bringing too much/too little, or if they have tips, etc. We made posts to the relevant areas on Photo.net, etc., and have received a lot of good advice. Not surprisingly, a lot of people think I don't have a long enough lens (guys, not everyone can afford a 600. sheesh). But in the same vein, Brenda also got a lot of crap for bringing her old film cameras since they have such short reach. We don't really care about that...its not the point (i would have thought that was obvious). But one person (Mark Wilson) gave a wonderful defense of taking antique cameras on safari and I thought I'd share it:


"Mark Wilson, Feb 11, 2008; 10:40 a.m.
I have used Yashica 635, Canonet, Vito B, Olympus Ace, and even more modest equipment to photograph African wildlife (even carried a Brownie Cresta in the Eastern Transvaal in 2004.).

Photographed lion cubs in controlled environments with Bessamatic, Canon FTb, and even a 1920s Zeiss Ikon Ideal 6.5x9 with dial set Compur. Got some superb pictures of delightful African children with a Fujita 66. Used the Brownie to get some labourers...they are crazy to have their photos taken ("Cut me!" one yelled, meaning "take my photo".) Sometimes there is disappointment that you are unable to deliver them a snapshot immediately, however...not sure why.

While all the long-lens fanatics are taking the same photos with their fancy-pants gear, I photograph them.

Or them sipping Marula Cream in the hot-tub.

Or a giraffe sticking his head into your vehicle.

If I want to have an image of a cheetah bringing down a gazelle, I buy a postcard. There is no shortage of things to photograph in Africa, from the vehicles to the people to the buildings to the signs in airports to the spaza shop on the side of the road.

I have a Rhino photo taken from an armoured vehicle on flickr: http://www.flickr.com/photos/8056279@N05/502765282/

Enjoy your trip!!"

So there, you long-lens weenies :P

February 10, 2008

Two Safaris in One

Brenda's Stuff

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My Stuff
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Brenda and I have each made our final selection for what equipment gets to come with us on the safari. Obviously we have extremely different approaches. I'm rolling into the jungle with some of the latest greatest high-technology digital SLR technology the japanese know how to make. Even my lenses are really computers. She, on the other hand, might as well be headed out on a Safari in the 50s. The only concession she's made to modern technology is the pair of Nikon binoculars she's bringing for those times when her antique lenses just can't reach the animals...she can at least whip those out and enjoy viewing them if not shooting them. I love that we're taking these different approaches. Besides the fact that I love watching my wife shoot with such gorgeous old equipment, I really love the character of the photos her cameras take. I can't wait to see what she comes back with.

We are going to try our hardest to make this a carry-on-bag-only trip and since all this is just the photography stuff obviously (and not even all of it), it might be tough. We're going to give it our best shot though.

So here's my final roster of the stuff that made the cut:

Nikon D200 Camera body
Nikon D40 Camera body (not pictured...had to use something to take this photo!)
Nikkor VR 300mm f/2.8 IF-ED telephoto lens
Nikkor AF-S VR Zoom 70-200mm f/2.8 IF-ED telephoto lens
Nikkor 18-200mm (for the backup body)
Nikkor AF-S Micro 105mm f/2.8 (macro lens for the lizards/giant bugs)
Tokina 12-24mm Wide-Angle lens (for the vistas)
Nikon AF-S TC20EII 2x Teleconverter (for when the lions are faaaar)
A kinesis car-door mounted sandbag for in-vehicle shooting
Manfroto Carbon Fiber Monopod
Manfroto Carbon Fiber Tripod (not pictured)
A wired remote for the D200
A wireless remote for the D40
Lee Graduated filter
Circular polarized filter
3 batteries for the d200
2 batteries for the d40
Chargers for each
10gig worth of card memory
160gb ruggedized backup portable hard drive
Macbook Pro laptop
A giant LowePro backpack to hold/carry all this...I hope. I haven't tried putting it all in yet.

Here are some shots of me wearing said-backpack while trying out the big 300 lens with the monopod at the frozen lake bike race/art shanty project. Brenda's camera makes it look like I'm on some arctic expedition in the 50s. I love it. Presumably I won't need quite such a large parka in the Serengeti.


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Been on a safari? Think I'm missing some stuff? Taking too much? Please feel free to let me know. This is my first time.


And as for brenda, here's her description in her own words of what she's taking into the jungle and why:


Voigtländer Perkeo II

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Being the most recently acquired and therefore teacher’s pet, the Perkeo easily made the cut. It’s probably the smallest medium-format camera ever made, producing beautiful, large 6x6 negatives while still folding down to fit in a large pocket. No range finder, but I have an external to slip onto the accessory shoe when I think the “squint and wing it” method won’t cut it. I bought this fully reconditioned from Jurgen Kreckel, a beautiful camera that works perfectly.

Yashica 44
Yahica

I love TLRs. I love their aesthetics, I love the few moments of wonky disorientation I feel when jumping from an eye-level viewfinder to a waist-level and I love the mechanical sound effects. The little 44 is more compact than the Yashica-MAT, takes great shots and is cute as hell. This is a great stealth camera- people typically don’t notice when I’m shooting from the waist. The lions won’t care, but it will be great for portraits.





Agfa Clack

Safari_1Monster 6x9 negatives from an empty box with fake lizard skin and almost no available adjustments whatsoever. Of course it’s coming to Africa.









Retina IIIc

Safari_3Safari_4_2


This was a tricky decision. I don’t love the Retina the way I love the others. I spend far more time screwing around with the camera than I do composing and taking shots. It’s a nice camera in very good working order, but falls outside of my acceptable range of punctiliousness. It is, however, my only 35mm camera. As someone accustomed to only 8 or 12 shots to a roll, a 36 exposure roll is downright luxurious. It makes me feel rich with film, and I can be a lot less thoughtful about pressing the shutter release because there are seemingly always zillions of shots left before I have to change a roll. I also really dig the thumb-winding mechanism; it’s very satisfying to use and allows me to take multiple shots without taking the camera away from my eye. Retina: consider yourself on double-secret fussiness probation. Don’t piss me off.

Holga
Safari_2An obvious choice in order to fulfill my need for “haunted safari” images. I love these crappy pieces of plastic and have an assortment of a half-dozen or so Holgas and Diana clones. My favourite shots are those that make non-spooky things look very spooky, and the Holga is great for this. I’m bringing an IR filter and film for it which should up the creepy quotient nicely, and some close-up filters for lizards and icky bugs.




Other stuff
Cable release (fits Holga, Retina and Perkeo)
Joby Gorillapod
Bean bag
Gaffer’s tape and aluminum foil (have to tape the hell out of that Holga in order to pull off the IR)
Lens cloth
Film:
10 rolls MF B&W (100 and 400)
5 rolls MF color slide film (for x-processing)
2 rolls Infrared
4 rolls 35mm B&W
4 rolls 35mm Color
Everything goes into a Domke F-2 canvas bag, plus sunsceen, light sweater, hat and bug repellent.

February 08, 2008

Long Live the Impalement Arts

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Our daring friend “target girl” Tina was on the Conan O’Brian show last night getting a bunch of knives thrown at her.

We know her through our precision bullwhip mentor Robert Dante (she’s his on-stage partner and also personally helped me to finally master the ellusive overhand crack). But she also lets her friend The Great Throwdini throw knives at her sometimes and I think it’s cool that an act like that can get a national audience. Mr Throwdini holds the world record for the most knives successfully thrown in 60 seconds (102).


Fit_sh_1103Fit_sh_1151We met Throwdini at a party once and he had some awesome anecdotes of his past shows, like the time he threw an axe and it caught his glasses...he found them unharmed, dangling from the axe-stuck-in-the-board later. I hope we can get to hang out with him again sometime, hopefully after we've had more time to practice our own whipping skills with Robert & Tina. It's hard to practice in the winter indoors because it requires extremely high ceilings.

One thing I love about Tina is that she doesn’t just play the helpless damsel in distress role. She’s an expert precision bullwhip artist herself and in both Robert and Throwdini’s acts, she turns the table on the male and uses him (in this case Conan himself) as the target.

Brendawhip
Brenda in her very first lesson (on her birthday) working on the basic circus crack with Robert.


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Me, trying my best to master the overhand crack with Mr Dante looking on disapprovingly. (I finally got it with Tina's help)

Rohloff Progress Report #1

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This morning I took the Moots out for it’s first real thrashing and while I didn’t quite have the right tires for the mostly-icy trail, the hub (and the whole bike really) continues to amaze. It’s been so long that I’ve had a mountain bike it’s hard to give the credit to any one thing. Yes, the hub is revolutionary and I love it. But it’s also the first 29” mountain bike I’ve ridden and as a tall guy, I’m sure that’s part of why it feels so good. Then there’s the fact that Moots frames aren’t exactly garbage....and then there’s the disc brakes and the modern White Industries fork. Whatever it is, the package adds up into the best bike I’ve ever ridden of any type. I just hope it doesn’t make me neglect my road bikes when the temperature starts warming up.


Bike_1
Brenda came with me to hike, and she hiked the trail loop in reverse taking photographs of strange trees and whatnot, while I did laps in the correct direction. She was mostly using her new “click” camera but I lent her my D200 for the shots of me since it was way too dark for her little film box to use high shutter speeds. So every now and then I’d come across her and she’d take some pictures as I went by. I’m just glad I didn’t run into her on one of the high-speed, icy blind corners!

The icy parts were pretty scary but the only time I fell was once when I decided to play it safe and get off the bike. I fell hard on the very first step I took. I think I’m more coordinated riding than walking.


Bike_2

What is it with Crispin Glover?

Crispin

Is Crispin Glover insane? Psychotic? Merely eccentric? A genius? A student of Andy Kaufmann? I got definitive answers to these questions tonight but oddly, the answers didn’t clear much up for me.

We spent the evening with the one and only Crispin Glover tonight.

Crispin is currently touring with the first two films of his “it” trilogy What is It? and It is fine! Everything is fine! He’s personally bringing the films to as many cities as he can. Besides the film content, he treated us not only to an amazing reading of several section of each of his eight books accompanied by a slide show of his illustrations and photographs, but also to an extended Q&A afterward along with a book signing.


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Like almost all my friends, I’ve been fascinated with Crispin for years and years. Ever since the famous David Letterman incident and maybe a bit before, he’s been a gawk-worthy one-man sideshow act, a modern day freak. Listening to his music, reading his books, seeing him in interviews, even through most of the acting roles he’s picked, it’s impossible not to imagine that he is way beyond eccentric... waaaaay beyond. But he’s also seemed somewhat more complex since he somehow manages to get roles in many of my favorite films and his performances are incredible. We often fantasized about what Crispin the person was really like? What would it be like to hang out wit him? I never imagined that one day he would take himself out on the road for all to come gawk at up close and in person!

Picture_3

The film itself didn’t disappoint in the slightest. It was precisely what we expected, except perhaps we were surprised to see an actual narrative that could be actually followed. But even so, the film’s weirdness quotient was off the charts and up there with the weirdest of all time. And it wasn’t just generic weirdness that you can get on any public cable channel...it was that well-known Crispin Glover exclusive, mesmerizing brand of weirdness. All the hipsters in the audience who came just so they could say they saw the crazy Crispin Glover film with the down syndrome cast and the mass killings of snails went home happy I’m sure.


41wbkdk6rhl_ss500_But for me, the most shocking thing wasn’t the film at all, but two very unexpected things:

The first, was that his performance (it was more-or-less a poetry reading) of his books and the accompanying artwork/photographs was genuinely amazing. I mean we were laughing “with him” at the right spots, hanging on his words. We were no longer gawking at the sideshow freak but instead marveling at the (admittedly bizarre) works of art that he’d created. I’ve only ever seen excerpts from his books, which were designed to make them seem like the scrawling of a madman. But the fact is, those books have legitimate artistic merit and I recommend them sincerely.

The second, came during the QA session in which Crispin revealed himself to be very very far from insane or even strange-for-strangeness’s-sake. But instead he proved he is incredibly smart, very articulate, and absolutely nothing like the persona we see in interviews. I have a whole new opinion of the man now, no kidding.

But while much of the enigma that is Crispin Glover was cleared up for me, the fact of the movies, books and music he makes remains. Please understand these things may be the strangest works any human has ever created. I am not exaggerating. And although I maintain they do have legitimate artistic merit (some of them may even be great), they are so over-the-top strange that it is almost impossible to imagine that the same man I heard in the QA is the author of these works. Crispin very clearly and succinctly explained his take on the problems of the systems of the mainstream hollywood studios in general. More specifically, he convincingly detailed the barriers that exist (even before the sad ratings system gets involved...at the level of the green light) to filmmakers who wish to include taboo topics without simultaneously making it clear that the filmmaker is calling those topics out as bad. Watching him reason so well and speak so clearly was startling. It was like a scene in Flowers for Algernon. So while much of the enigma was removed, the new paradox makes him an even larger enigma to me.

However the highlight of the evening, for everyone I’m sure, came at the very end. The lights were flashing indicating he was way over due to wrap it up, but he took one last question. A slacker-looking guy asked “What were you thinking when you assaulted Merryl Streep in the green room of the David Letterman show?” He was all “uh.....what?” and we all thought it was just that he didn’t want to go there and talk about the Letterman thing. But then he said, “I think you have some wires crossed, but if you wanted to ask me about that night, I’ll tell you guys the truth. I never do to the press because I like mysteries, but I’ll tell you here, now, if you like.” He then launched into an unbelievably detailed first-person account of the entire week leading up to the show, and let us know exactly what happened that day and why. And it was awesome. :)

February 07, 2008

Brenda's New YASHICA-44

Yashica_1

Brenda inherited a lovely old Yashica MAT from her father, and there’s something about twin-lens reflex cameras that I really adore. I love the way they look, with the double-decker lens situation, but mostly I really think the huge viewfinder and the way you focus and shoot it from the hip is just so cool. Problem is the MAT is huge (by her antique camera standards...not my modern DSLR standards) and she doesn’t take it out very often.

But recently she found a deal and picked up a little Yashica 44 and it’s super cute. The Yashicas evidently are japanese copies of the more famous Rolleiflexes, and the 44 is specifically a copy of the “Baby Rolleiflex.” The 127mm film it uses is still available, just not at your local drugstore. B&H has it for example. Also some processing places give her pretty funny looks when she brings it in, but she’s been able to find places who can do it. The much smaller/lighter form factor has let her bring it out on more excursions which is cool because I love the photos it takes. One thing though, because the camera’s at her hip when she’s shooting, it’s hard to recognize she’s not just making settings adjustments so more than once I’ve walked right into her shot unawares.

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Even without the magnifying glass, the viewfinder image is surprisingly sharp and easy to use. This one’s in need of some cleaning oviously but even so the quality of the image, as seen when holding the camera at your waist is hard to describe. Also I love that the exposure indicator font is Futura.


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The baby Yashica next to the daddy Yashica.

Safari Training

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With the African safari looming less than a month away, we decided to get in some real wildlife photography training at the Minnesota zoo. Even though the winters are horrible here, the zoo is awesome in that it has a bunch of we-don’t-give-a-fuck-about-the-temperature animals there.

I was anxious to see how well my new 300mm f/2.8 lens would do with the 2x teleconverter since in the dusty Serengeti I won’t be wanting to keep putting it on and taking it off again. It didn’t do so bad but clearly the lens performance was noticeably better without it.

Brenda, with her antique cameras was forced to shoot animals who were very close-up, but I think she may have gotten some good shots. I especially want to see how here infra-red film shots turned out.


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The Orrery

  • Orreryweb_18
    This album is the account of the design, construction and arrival of our Orrery, a commissioned work by Arkansas artist Eugene Sargent

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